Three Things: September 2018

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With thanks to Paula of Book Jotter for hosting—new participants always welcome!

Reading: I’ve written about my holiday reading here (the photo above is of a sunset from the terrace of my Airbnb, in the Schaerbeeke neighbourhood of Brussels). Apart from that, mostly what I read was actually my own work: I wrote over a thousand words a day while on holiday, and when I wasn’t writing, I was going back in the text to try and smooth out earlier bits of the manuscript that don’t make sense anymore. It is an activity simultaneously deathly boring and very exciting.

Looking: For once, I caught up with the television that everyone’s talking about, and watched Bodyguard. Two things to say about that: first of all, it is a work of absolute screenwriting genius. How the script and the shots and the actors manage to maintain tension for so long is absolutely beyond me (as the Guardian noted in its review of the first episode, it’s a credit to the writers that it seemed genuinely likely [SPOILERS AHEAD] Nadia might be shot in the head even after surrendering and stepping down from the train). Secondly: I’ve talked about this a little bit on Twitter, but the show gets casual inclusivity more right than most TV thrillers. In episode one, the unit commander, train guard, and explosives officer are all women. The Home Secretary, Head of Counterterrorism, and head of the Met special protection unit are all women. In episode 3, when we meet the two internal detectives, they’re a man and a woman, both of colour. The male explosives officer called to the scene in episode 6 is of colour. David Budd’s colleague on the protection squad, who dies in episode 3, is a woman (with a non-RP accent). No plot points revolve around this casting; it just is what it is, and I think that’s the way to do it.

Thinking: There hasn’t been a lot of time to do much thinking recently. It’s been two weeks since I wasn’t out four nights of five. You know what is nice, though, and what’s been taking up space in my head more than anything? How glorious this weather is. The air is cool and crisp, there’s sunshine more days than not, and the sky is blue. It won’t last for long – London will shortly plunge itself into its customary five months of gloom – but while it does, it is the most beautiful thing. I’m going back to the States in a fortnight to visit. The blue skies and mountain foliage near my parents’ house are ultra-reliable at this time of the year, and I’m already getting excited about jumpers and hiking and maybe picking some apples.

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In 2017

I never used to believe in New Year’s resolutions. I never used to believe in the New Year starting in January, either; for me it has usually started with a new academic year, in the autumn, and all of that post-Christmas guilt stuff was just an excuse for self-flagellation and meanness. This year I’ve kind of changed my mind. There are some things I want to do in 2018, including taking up yoga again, finishing a first draft of this goddamn novel, and eating more mindfully. But resolutions, like dreams, are rarely interesting to anyone else, and, like dreams, rarely appear fully-formed.

My most long-standing New Year’s tradition is to look back over what I’ve done during the past twelve months. Usually the good outweighs the bad. This year was a decidedly mixed bag. Miserable shit happened. There was also much rejoicing. A lot of 2017 was about surviving and persisting and taking control of my own thoughts. I did that, and I’m proud of that.

In 2017, in roughly chronological order, I:

landed my dream job

bought some spectacular gold shoes for £3

showed my mama around the London I know

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learned to love Bach

served on the Baileys Prize shadow panel

had my heart broken

moved house

survived a sexual assault, in the same week that I moved house

…and now disclosed it to more people than ever

used my dining rights at my old college with friends

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explored my new neighbourhood

found some great free museum cafes to write in

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turned 25

visited home for the first time in almost two years

went vintage shop-hopping with my badass brother

witnessed a solar eclipse

was reunited (and got absolutely shirt-waisted) with my Govies: Matt, Jon, and Red

took a Greyhound bus

watched the sun rise over London from the roof of my new house

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welcomed dear friends to my new home

bought my first ever house plant

celebrated my goddaughter’s first birthday

consulted on hair, makeup, dresses and shoes for my cousin Sarah’s wedding next April

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sang at Liverpool Cathedral (during the aftermath of Storm Brian!)

bought the most majestic floor-length velvet dress the world has ever seen

served on the Young Writer of the Year Award shadow panel

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rejoiced in the marriage of two wonderful humans, Helen and Charlie

made it to 120K words of my novel

led the music on Christmas Day at my grandparents’ parish church

earned the trust of my auntie’s traumatised rescue puppy

traveled to Scotland to celebrate the New Year with my godparents

read 181 (and a half) books

 

Young Writer of the Year Shortlist

The embargo was lifted yesterday, when I was out of town, but it’s finally here! The official shortlist is as follows:

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Outlandish Knight by Minoo Dinshaw: a biography of Steven Runciman, a historian of the Byzantine era. We did surprisingly well with this in the bookshop—I haven’t the faintest idea what the significance of Steven Runciman is, but from the cover photo he looks rather Sebastian-from-Brideshead. We’ve all been sent the hardback, which is intimidating everyone. (It’s been out in paperback for at least a month, but I guess sending us the hardbacks is a nice way of getting them out of the warehouses…?)

The End of the Day by Claire North: I’ve not read any of Claire North’s work before, but it seems to be a sort of crossover-sci-fi affair. The tagline for this book is, “Sooner or later, Death visits everyone. Before that, they meet Charlie”, which is charming in a Pratchett-esque sort of way. I think I’ll enjoy it.

The Lucky Ones by Julianne Pachico: Just finished this, a terrifyingly polished, razor-sharp bunch of interlinked stories set in Colombia during the drug wars and paramilitary insurrections of the 1990s. It mostly follows the fates of a bunch of girls, school friends (or frenemies), and what happens to them during and after the war. Longer review to come soon.

Conversations With Friends by Sally Rooney: Contrary to most other panelists, this is the one I’m really not looking forward to. (Everyone else is dreading the Minshaw biography.) From what I’ve seen of this book, it’s very much about Young People living their Strange, Eccentric, Slightly Affectless Young People Lives, and I’m not sure I can put up with that since it is not a way of living that I (speaking with some authority as a Young Person) particularly recogise, either amongst myself or amongst many of the Young People I know. But maybe it’ll be terrific, I shall try to keep an open mind.

The Lauras by Sara Taylor: I read Taylor’s first book, The Shore, and it really knocked me out. This is equally wonderful—finished on the train last weekend—a mother-and-child road trip novel that captures sincerity without being sentimental, stoicism without being soulless. The story of Alex and Ma’s flight across the American continent is haunting, lovely, and enticing. Longer review to come soon.

I’m a bit disappointed not to see Homegoing and Elmet, but feel no great sense of rage about anything being left off. Have you read any of these? Have any strong feelings about any of them?

Young Writer of the Year Shadow Panel

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I’m on it! Hooray!

This is going to be a short and probably flippant post, written at work in between deep-breathing sessions and feeling like my heart is about to leap up through my throat and strangle my brain, a la that terrible poet in Hitchhiker’s Guide to the Galaxy. Work is a lot.

Anyway, the announcement embargo has been lifted now, though the shortlist is still under embargo until the 29th because reasons. I can tell you that it’s a diverse and exciting bunch of books in terms of genre and technique, that I haven’t read any of them so far, and that I’m anticipating some great discussions with the other members of the shadow panel.

(They are: Annabel Gaskell of Annabookbel.net, Rebecca Foster of Bookish Beck, Dane Cobain of Social Bookshelves, and Clare Rowlandson of A Little Blog of Books.)

For more information, plus complete biographies of the shadow panel’s glamorous selves, check out the official website: http://youngwriteraward.com/#

And keep your eyes peeled for the shortlist announcement and reviews! This is the prize that recognised Andrew McMillan, Max Porter, Benjamin Wood and Jessie Greengrass, amongst others. (So, you know, all the cool kids are paying attention.)

Of men and land

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Once I wrote a poem, and called it “to all the men I’ve slept with”. It wasn’t the sort of poem you might think. It was about leaving the city and going North, as far North as you can go in this country, to stand on a green cliff and look at the sea. I wanted, when I wrote it, to be able to walk with someone, quietly. “Shiver/in your sleep,” I wrote, “and we’ll wake each other warm./Up there the sky throws salt to tell a fortune/you can’t read.” It did not seem necessary to imagine conversation, or interpretation; we would see what was in front of us, we would see the land and know it, and that would be enough.

I have always wanted to show the men I loved a piece of land. I have taken them to the top of the South Downs and made them see the green turf and the white chalk and the trees in the valleys, demanded that they love it and understand it as fiercely and fully as they loved me. I have wanted to take them to the place I grew up, where the grass reaches to your waist in the summer and the sky bakes white, but the mountains loom blue. One of them, at least, wanted the same, and I obliged him by loving the naked hills and cold streams of Cumbria with all my heart. For some of us, it is land that makes and ties us—even those of us who belong not to one place but to many—and I wonder sometimes how a person might turn out differently if they were born to more or less dramatic landscapes: to mountains or plains, plains or deserts.

Owning the land is not important. A title deed makes no difference one way or the other. It is not a legal right that I claim, but a spiritual one. My heart owns a place in front of a spinney on top of a hill in Sussex; it owns a field spanned by curving mown paths and dotted with tangles of blackberry vines; it owns one particular fell, at one particular violent sunset. I have no more of a right to these places than anyone else, but I certainly have no less.

And why is it that places to which I truly have no right, places I have only ever entered as a guest, seem to have a claim on me? That, for instance, a freezing chateau west and south of Paris, where I sat on a green sofa and wrote part of my book by candlelight with numb fingers; where I went so hungry that it felt like sickness, until a late supper—steak and pasta, nothing fancy, but still perhaps the most welcome meal I have ever eaten; where I drank French whisky and talked about concert pianists with the friend who owned the place; that it should feel as terrible a loss, now that I can never go there again, as the loss of a person does? Why should the smell of cigarettes and the taste of weak tea and cold February morning sunlight make me think of this place with what I can only call homesickness? How can merely having been happy—even as happy as I was there—have such a long half-life?

It goes the other way, too, of course. Places have been poisoned for years. There are buildings, streets—there are whole towns—which have been so out of bounds to me that even seeing the names of the places written down, or hearing them in passing on the news, was sharply painful, so that I would have to stop, or sit, or turn away. To lose a place has always seemed a peculiarly terrible punishment. It is not only the past that is taken from you, then, but the future too; you must shape your steps in other ways, take different roads home or avoid a certain intersection at a certain time of day, and you feel you will never walk whole and carelessly again.

A few years ago, a man showed me a place. I didn’t know what to expect; we knew each other well enough, as these things go, but I could not guess what he might want me to see. We drove for an hour or so, quiet almost all the way, because I was afraid to say something that might sound stupid. And then we crested a hill, and this valley opened out—all steep sides and soft grass, with sheep grazing in it, and a little river running through it, and some half-hidden stone houses—and I have never felt so much as though someone were tossing me a gift. How can I explain it? I had probably said, in passing, that I liked this sort of thing: open hillsides, swift water, that feeling of being both outdoors and within a space as structured, in its own way, as a great cathedral. But to be taken to such a place, almost without explanation, by someone who also loved it… It was as though a friend, pawing through clothes to take to charity, had found a ballgown and handed it to me.

There is something of sex and something of death in this obsession, I’m well aware. The giving of precious things doesn’t have to happen in bed—or at least not always—and the bestowing of a beloved prospect is an act of trust, as much as taking off your clothes is. The love of a place is intensely bound up with a sense both of freedom and of safety. Love itself is the mixing of those things: a beloved person is one with whom I feel both free and safe. And where I feel free and safe, I feel I could die with perfect happiness. In every place I’ve loved, at some point I have had the same compulsion—whether I act on it or not—to lie down on the ground, to try to melt and mingle into the earth. To consummate, or be consumed. Sex and death. Would it be so bad? Like Wordsworth’s Lucy: “roll’d round in earth’s diurnal course,/With rocks, and stones, and trees.”

I am still a young woman, still seeking a future. Maybe, every time, it is simply a way of posing a question, an idle curiosity that is also—as all questions are—a test. Will you come away?

In 2016

I don’t believe in New Year’s resolutions. I don’t believe in the New Year starting in January, either; for me it has always started with a new academic year, in the autumn, and all of that post-Christmas guilt stuff is just an excuse for self-flagellation and meanness. What I do for New Year’s, instead, is to list what I’ve done over the past year. That seems more likely to produce, on the whole, happiness. And even bad memories are worth more than half-assed, panic-induced vows to improve my life.

So, in 2016, I:

started writing and reviewing for Litro Magazine

navigated the French train system alone

stayed in a chateau owned by a friend of the Chaos, who runs a restaurant there

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hosted my first author Q&A on the blog

decided to reclaim the word “fat”

wrote a series of posts on digital literature (finale coming soon!)

started singing again

attended an underground play

partied like it’s 1944

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started my first novel (I’m now at 74K words)

mourned the results of the EU referendum

welcomed my parents to our London flat for the first time!

walked fifteen miles through London at night in support of breast cancer research

went to Glyndebourne

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left my job

threw a summer drinks party

turned 24

visited St. Ives (and decided to write my second novel about Barbara Hepworth)

bitched mightily about having to walk uphill in Cornwall

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overcame massive social anxiety to go to my very first music festival

participated in a mass read-through of Henry VI, Part 1

sent my brother a postcard at college every week of his first semester

welcomed a goddaughter, Beatrice Illyria

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sang at the Royal Albert Hall

met Carlos Acosta (and decided to write my third novel about ballet dancers)

waited tables during the pre-Christmas period (this is hard)

mourned the results of the US election

got wazzocked with the lay clerks of Westminster Cathedral on Christmas morning

read 141 books

It hasn’t been a good year, though. On a personal level, it has mostly been really pretty good, but posting about how good my year was is solipsistically gross if I fail to include the fact that it has been a bad year in many other ways: for the LGBTQ+ folks in Orlando’s Pulse nightclub and their friends and family; for pretty much everyone in Syria; for the women of Ohio, where the state legislature has just pushed through a six-week abortion ban; for a substantial portion of Trump voters who didn’t realise that Trump’s promise to repeal the Affordable Care Act would make their lives literally unlivable; for the people of Valence and Berlin and Nice and Baghdad and Brussels and Istanbul and Quetta. For Jo Cox’s husband and children. For the families of the 258 black people murdered by police in America this year: Philando Castile, Alton Sterling, Korryn Gaines, Laronda Sweatt, Deresha Armstrong.

If you think for one minute that this is in some way not your problem, you’re wrong.

2017: if you want it to be a better year, there’s only one way to go about it—you can’t stop celebrities from dying or TV networks from moving your favourite show. You can give your time, and you can give your money. Here are some ideas:

Richmond Reproductive Freedom Project – I donate to this institution because it’s in my home state. I guarantee there’s something similar near you, or you can give to Planned Parenthood.

Safety Pin Box takes the nice-but-not-exactly-super-effective idea of safety pin allyship and makes it a real thing: your subscription gets you two or three “ally tasks” a month, all of which are directly effective in the fight against white supremacy.

Liberty is England’s premier human rights organisation and it is RIDICULOUSLY cheap to become a member. You can give as much as you want/can afford, but some subscriptions are as little as £1 a month; the highest individual subscription fee is only £15.

Do what works for you. Do something that you’re just a little bit uncomfortable with: a couple of hours a week volunteering, or donating £5 more per month than your budget can absorb without having to change. Or call people out at your school/workplace/kitchen table: it can be just as uncomfortable, and just as important.

Anyway, whatever you do, have a very happy New Year. Onwards!

Hungry Generations Chapter 1 is up

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If you want to read part of the book that I haven’t actually finished writing yet, the first chapter is now up on the book’s own website! (ohgodohgodohgod) I’ve edited it a little to make it fit for human eyes, but there’ll be more changes—this is still very much a first draft—but I’m very excited to share it in its current state. Here’s the first paragraph:

At the interview, Simon talked about epiphany. He’d brought a piece of work he’d done on Dubliners. It was mostly on one story, ‘Araby’; he’d focused on the boy whose point of view the story took, his horrible shame and embarrassment as he realises he can’t afford a present for his friend Mangan’s older sister. He was about to start unfolding the way Joyce’s few paragraphs of description framed the sister as a saint, or possibly even as the Blessed Virgin, when the senior English tutor, a tall woman with long white hair twisted into a chignon, leaned forward in her chair and said, “Tell me about epiphany.”

You can find out just what the hell is going on in this scene here. I would be so pleased if you did.